Join us and the Center for Visual Cultures and Performance (CVCPS) for a talk by Hannah Freed-Thall, Professor at New York University. This talk explores the anti-fascistic potential of curiosity, taking avant-garde artist Claude Cahun as a case study. In 1930, Cahun and their partner Marcel Moore published Cancelled Confessions — a genre-exploding anti-memoir, alt-Surrealist collage experiment, and visual-verbal remapping of the genderqueer body. In place of Surrealism’s libidinal fixation on woman-as-muse, Cancelled Confessions offers up trans/queer curiosity as its edgy, wayward ethos. Hannah Freed-Thall will discuss how Cahun and Moore’s fierce defiance still speaks to us today.
This free, in-person event is open to faculty and graduate students.
No registration required.
The event will be recorded.
